Walters - Coptic Wiki

Sassanid Influences On Coptic Art

SASSANID INFLUENCES ON COPTIC ART In addition to the traditional influences mentioned as contributing to the formation of Coptic art—Hellenistic, ancient Egyptian, Roman, and Christian—some more distant influences must be explored. Indeed, it has been argued that the art of India, and even Central Asia, bore some relationship with Coptic art (Zaloscer, 1947). A no …

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Spoken Coptic Language

History / By Arsanious Adel

SPOKEN COPTIC LANGUAGE Coptic was the spoken language of ancient Egypt until the ARAB CONQUEST OF EGYPT in the seventh century. It was recorded first in the hieroglyphic (sacred) script, the earliest form of Egyptian pictorial writing, and succeeded by the hieratic (priestly), which was the simplified running script, and the demotic (from “demos,” meaning …

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Church Architecture In Egypt

Heritage, History, System / By Arsanious Adel

CHURCH ARCHITECTURE IN EGYPT Only church buildings can be considered as a confessional type of structure—like the cultic buildings of pagans, Jews, and Muslims. Churches are a specifically Christian type of architecture. All other kinds of building—including funerary structures—have no confessional ties and take the same form among Christians as among people of other faiths …

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Christian Subjects In Coptic Art

Heritage, History / By Arsanious Adel

CHRISTIAN SUBJECTS IN COPTIC ART Whatever its materials and techniques—stone or wood relief sculpture, painted walls or manuscripts, textiles, metalwork, ceramics, or glass—Coptic Christian iconography retained a few rare elements of pharaonic origin and many Greco-Roman elements from Alexandrian tradition. From the fifth century on, these pagan subjects mingled with Christian motifs. The Christian subjects …

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Coptic Woodwork

Culture, Heritage / By Armia FAYEZ

COPTIC WOODWORK The functional objects and sculpture made of wood in Egypt from the fourth century into the Middle Ages. By virtue of its geological past, Egypt originally had plentiful and varied supplies of wood, but it was rapidly used. Shortages were already evident in the pharaonic period. Ptolemaic rulers put into operation a policy …

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Symbols In Coptic Art

Bible, Heritage / By Armia FAYEZ

SYMBOLS IN COPTIC ART Alpha and Omega Alpha and omega (A and W) are the first and last letters of the Greek alphabet. In Middle Eastern astrology, they are related to the cosmos, the signs of the zodiac, and the twenty-four hours of the day. In Egyptian alchemy they are linked to the good genius, …

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Georg Steindorff (1861-1951)

Eminent / By Armia FAYEZ

GEORG STEINDORFF (1861-1951) A German Egyptologist and Coptologist. He was educated at the universities of Berlin and Göttingen, and was Adolf Erman’s first student. From 1885 to 1893 he occupied the post of assistant curator of the Berlin Museum. He was professor of Egyptology at Leipzig from 1893 until 1938. There he founded the Egyptian …

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Dayr Al-Fakhuri

Places / By Armia FAYEZ

DAYR AL-FAKHURI History The “Monastery of the Potter” (it is not known whence this appellation comes) is situated on the edge of the desert, about 6 miles (9 km) north of Isna, near the ancient Asphynis (present-day Asfun al-Mata‘nah). The monastery also bears the name of “Matthew the Poor.” This personage, whose Life survives (or …

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Dayr Anba Maqar

Places / By Armia FAYEZ

DAYR ANBA MAQAR Rising on the desert horizon like a great fortress, the Monastery of Saint MACARIUS was originally the most remote and least accessible of the monasteries of Wadi al- Natrun. It came into being around 360 when Saint Macarius the Egyptian moved southward from the valley to escape the overcrowding of hermits. Here, …

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Dayr Anba Shinudah Or Al-Dayr Al-Abyad (White Monastery) (Suhaj)

Places / By Armia FAYEZ

DAYR ANBA SHINUDAH or al-Dayr al-Abyad (White Monastery) (Suhaj) History The church of this famous monastery still exists at the edge of the Libyan desert, on the left bank of the Nile, about 6 miles (10 km) from the town of Suhaj, often mentioned for its medieval paintings. The name of the site is known …

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