The concept of historical cause in Flavius Josephus

The concept of historical cause in Flavius Josephus Historical explanation by means of causes is the all-important prime requisite for a historical text to be presented with guarantees of faithfulness to historical truth. I therefore propose to analyse the two aspects announced at the beginning of this chapter. In the first section I shall classify […]

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AGABUS (Ἄγαβος, a word of uncertain derivation)

AGABUS (Ἄγαβος, a word of uncertain derivation) The bearer of this name is mentioned on two separate occasions in the Acts (11:27–30; 21:10–11) and also by Eusebius (HE ii. 3). He is described as a prophet who resided in Jerusalem, and we find him in a.d. 44 at Antioch, where he predicted that a great […]

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Coptic art in the Coptic museum

Coptic art in the Coptic museum Coptic art began to emerge in Egypt around 300 A.D. In form, style, and content it was quite different from the art of Pharaonic Egypt. How’ did this come about? Broadly speaking, there were two causes. The first is that indigenous Egyptian art had been in contact with the […]

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The churches of old cairo

The churches of old Cairo INTRODUCTION Cairo has been the capital of Egypt for more than one thousand years, but the actual city and history of Cairo are the legacy of many previous capitals of Egypt, of great cultural centers and successive civilizations founded there. The earliest was a predynastic settle­ment dating from the 4th […]

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The Triconch Sanctuaries of Sohag

The Triconch Sanctuaries of Sohag “Le probleme de I’abside treflee, de son origine, de son developpement, I’histoire enfin de ce type de structure, a ete dans ces dernieres annees 1’argument de bien de travaux; mais, malgre cela, je crois que l’etude peut donner encore quelque resultat si on voudra profiter d’une documentation bien precise et […]

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The Art of Coptic Churches

The Art of Coptic Churches WE WENT TO THE CHURCH while the elders of the monastery went with us. There were pictures of monks on the wall of the place, representing our monastic fathers: Antony the Great and Apa Pachom and Apa Paule and Apa Makarios.21 These were on one side and the archbishops of […]

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Fig. 9. Tetraconch Church at Abu Mina

The Architecture of Coptic Churches

The Architecture of Coptic Churches THE CHRISTIANS OF EGYPT OFTEN FOUND THEMSELVES facing the monumental architecture of the pharaonic past. The grand limestone and colorful granite temple complexes of the ancient gods were still active in the first centuries under the patronage of the Roman emperors; paganism was certainly not overshadowed by the rise of […]

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The History of Christianity in Egypt

The History of Christianity in Egypt THE TERM COPT COMES DIRECTLY FROM THE ARABIC QBT, which appears to derive from the Greek aigyptos (Egypt) / aigyptioi (Egyptians), a phonetic corruption of the ancient Egyptian word Hikaptah, one of the names of Memphis. Initially the word described a non-Arabic-speaking non-Muslim. By implication, a Copt was also […]

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Icon of the Virgin Mary and Child. Achmim area provenance. Photo­graph courtesy of Gawdat Gabra..

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their […]

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