Sinai

ANSWER

Dictionaries / By

ANSWER Passing over the very large number of occurrences of this word in the common sense of ‘reply’ (ἀποκρίνομαι, ἀπόκρισις), there are one or two interesting usages to note before we come to the most theologically significant use of the term. Thus in Tit 2:9 slaves are enjoined not to ‘answer again’ (AV; RV ‘gainsay,’ …

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Figures in the Carpet and Monastic Spirituality in the Wadi al-Natrun (Scetis)

Eminent, Places / By

Figures in the Carpet: Macarius the Great, Isaiah of Scetis, Daniel of Scetis, and Monastic Spirituality in the Wadi al-Natrun (Scetis) From the Fourth to the Sixth Century Not many years ago I read a very good scholarly book on Palestinian monasticism in Late Antiquity. In my review of that book I observed, however, that …

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The Sabbath

Theology / By

The Sabbath The sanctity of the Sabbath was instituted at Creation. After His creative work of six days, God rested on the seventh day and hallowed it. By hallowing it, God set the seventh day apart. He consecrated it as holy. Proper observance of the Sabbath was one of the Ten Commandments given at Mount …

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The Glory of Christ

Theology / By

The Glory of Christ We tend to think of glory as something achieved by extraordinary athletic victories, business achievements, or personal fame. In the Bible, however, it has to do with the radiant shining forth of the transcendent majesty of God. At crucial moments the splendor of Jesus’ deity burst through the cloak of His …

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Funerary Aspects in the paintings from the Apollo Monastery at Bawit

Heritage, Places / By

Funerary Aspects in the paintings from the Apollo Monastery at Bawit Introduction Much has been written about the monastic settlement of Bawit and it seems a daring task to try and add something substantially new to this. First of all, we have limited access to the material on which we can base our conclusions. Only …

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Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Heritage / By

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their …

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