Sarah

ALLEGORY

ALLEGORY The word is derived from the Greek ἀλληγορία, used of a mode of speech which implies more than is expressed by the ordinary meaning of the language. This method of interpreting literature was practised at an early date and among different peoples. When ideas of a primitive age were no longer tenable, respect for …

ALLEGORY Read More »

ALEXANDRIA (Ἀλεξάνδρια)

ALEXANDRIA (Ἀλεξάνδρια) The city of Alexandria almost realized Alexander the Great’s dream of ‘a city surpassing anything previously existing’ (Plutarch, Alex. xxvi.). Planned by Dinocrates under the king’s supervision, and built on a neck of land two miles wide interposed between the Mediterranean Sea and Lake Mareotis (Mariut), about 14 miles from the Canopic mouth …

ALEXANDRIA (Ἀλεξάνδρια) Read More »

The Monastery of Apa Thomas at Wadi Sarga: Points of Departure for a Relative Chronology

The Monastery of Apa Thomas at Wadi Sarga: Points of Departure for a Relative Chronology This chapter discusses the identification of the superiors of the Monas­tery of Apa Thomas at Wadi Sarga and presents some points of departure for reconstructing a relative chronology of this monastic community on the basis of Coptic epitaphs and documents.[1] …

The Monastery of Apa Thomas at Wadi Sarga: Points of Departure for a Relative Chronology Read More »

Bawit in the Twenty-first Century: Bibliography 1997-2014

Bawit in the Twenty-first Century: Bibliography 1997-2014 Since the rediscovery of the Bawit monastery in 1900, numerous investigations have covered diverse fields of research. Marie-Helene Rutschowscaya established a bibliography of the main titles, following the chronological order of publication: Rutschowscaya, M.-H. 1995. “Le monastere de Baouit. Etat des publica­tions.” In C. Fluck, L. Langener, S. …

Bawit in the Twenty-first Century: Bibliography 1997-2014 Read More »

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their …

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] Read More »