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Statuary

STATUARY If the statue is defined as a complete figure in full relief, Coptic art did not cultivate the technique. On this point, it conformed to the taste of the time. The carving of statues had diminished considerably from the beginning of the second century of the Roman empire. As generals who no longer belonged …

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Copt

COPT Defining the word “Copt” is not an easy matter. Gratuitous applications of the term in many circumstances have come together under the Coptic umbrella, resulting in a surprising mixture of connotations. A definition, therefore, that considers factual usage or acceptable conventional usage becomes necessary. The root of the word serves as a beginning. Two …

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Jean Cledat

JEAN CLEDAT (Périgueux, France, 7 May 1872-Bouch [Dordogne], France, 29 July 1943), French Egyptologist and Coptologist. He acquired a solid grounding in Paris (including the Ecole des Beaux Arts) and, in 1898 and 1899, published his first studies in Egyptology and Coptology that dealt with both the texts and the archaeology. Clédat arrived in Egypt …

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Christian Subjects In Coptic Art

CHRISTIAN SUBJECTS IN COPTIC ART Whatever its materials and techniques—stone or wood relief sculpture, painted walls or manuscripts, textiles, metalwork, ceramics, or glass—Coptic Christian iconography retained a few rare elements of pharaonic origin and many Greco-Roman elements from Alexandrian tradition. From the fifth century on, these pagan subjects mingled with Christian motifs. The Christian subjects …

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Serge Sauneron (D. 1976)

SERGE SAUNERON (d. 1976) A French Egyptologist. He studied at the Ecole Normale Supérieure and received the doctorat d’etat at the Sorbonne. He was member, librarian, associate director, and finally director of the Institut français d’Archéologie orientale in Cairo from 1969 until the accident that caused his death. Sauneron studied Coptic at the Institut Catholique, …

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