Painting

ADAM (Ἀδάμ)

ADAM (Ἀδάμ) Adam was the first man (אָדָם = man) and the parent of the human race.—1. When the writer of Jude (v. 14) thinks it worth noting that Enoch (q.v.) was ‘the seventh from Adam’ (ἕβδομος ἀπὸ Ἀδάμ), he probably has in mind the sacredness of the number seven. It seems to him an …

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Monks and Scholars in the Panopolite Nome: The Epigraphic Evidence

Monks and Scholars in the Panopolite Nome: The Epigraphic Evidence DURING THE CONFERENCE “Perspectives on Panopolis,” which took place in Leyden in 1998, Lucia Criscuolo discussed the evidence of the Greek inscriptions, including Christian ones, from the Panopolite nome, the present-day Sohag-Akhmim area. Already in the beginning of her paper, she observed that it would …

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Snapshots on the Sculptural Heritage of the White Monastery at Sohag: The Wall Niches

Snapshots on the Sculptural Heritage of the White Monastery at Sohag: The Wall Niches THE SCULPTURAL REMAINS of both monastic churches in the Sohag region, the so-called Red and White Monasteries (Dayr al-Ahmar and Dayr al-Abyad)[1], is of great importance with regard to our absolutely insufficient knowledge of Coptic architectural sculpture in general.[2] It is …

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The Red Monastery (SOHAG)

The Red Monastery (SOHAG) THE MONASTERY OF ST. PSHAI is more commonly known as the Red Monastery (al-Dayr al-Ahmar). The historian al-Maqrizi (d. 1442) used this name, explaining that it was built of red bricks.96 Saint Pshai was a hermit and companion of St. Bigul, St. Shenute’s uncle. As a young boy, Shenute (d. ca. …

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