Coptic art in the Coptic museum

Coptic art in the Coptic museum Coptic art began to emerge in Egypt around 300 A.D. In form, style, and content it was quite different from the art of Pharaonic Egypt. How’ did this come about? Broadly speaking, there were two causes. The first is that indigenous Egyptian art had been in contact with the […]

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The churches of old cairo

The churches of old Cairo INTRODUCTION Cairo has been the capital of Egypt for more than one thousand years, but the actual city and history of Cairo are the legacy of many previous capitals of Egypt, of great cultural centers and successive civilizations founded there. The earliest was a predynastic settle­ment dating from the 4th […]

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Shenoute’s Place in the History of Monasticism

Shenoute’s Place in the History of Monasticism A LITTLE MORE than 1,500 years ago, inside the massive church whose ruined hulk has come to be known as the White Monastery (Arabic Dayr al-Abyad), on an occasion near the middle of the fifth century when the monastery’s longtime leader Shenoute was about one hundred years old, […]

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The Art of Coptic Churches

The Art of Coptic Churches WE WENT TO THE CHURCH while the elders of the monastery went with us. There were pictures of monks on the wall of the place, representing our monastic fathers: Antony the Great and Apa Pachom and Apa Paule and Apa Makarios.21 These were on one side and the archbishops of […]

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Discerning the True Religion in Late Fourteenth-Century Egypt

Discerning the True Religion in Late Fourteenth-Century Egypt: Pages from the Dayr al-Muharraq Edition of al-Hawi by al-Makin Jirjis ibn al-‘Amid Introduction In recent years, Dayr al-Muharraq has shared some of its riches with the wider world through the publication of transcriptions of manuscripts from the monastery’s library. As examples, I can point to the […]

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Bawit in the Twenty-first Century: Bibliography 1997-2014

Bawit in the Twenty-first Century: Bibliography 1997-2014 Since the rediscovery of the Bawit monastery in 1900, numerous investigations have covered diverse fields of research. Marie-Helene Rutschowscaya established a bibliography of the main titles, following the chronological order of publication: Rutschowscaya, M.-H. 1995. “Le monastere de Baouit. Etat des publica­tions.” In C. Fluck, L. Langener, S. […]

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The History of Christianity in Egypt

The History of Christianity in Egypt THE TERM COPT COMES DIRECTLY FROM THE ARABIC QBT, which appears to derive from the Greek aigyptos (Egypt) / aigyptioi (Egyptians), a phonetic corruption of the ancient Egyptian word Hikaptah, one of the names of Memphis. Initially the word described a non-Arabic-speaking non-Muslim. By implication, a Copt was also […]

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Icon of the Virgin Mary and Child. Achmim area provenance. Photo­graph courtesy of Gawdat Gabra..

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their […]

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Wall painting, Dome of the Martyrs, Paul’s Monastery.

Coptic Art during the Ottoman Period: Documentation of the Akhmimic Style

Coptic Art during the Ottoman Period: Documentation of the Akhmimic Style History of the Akhmimic Style In the course of the seventeenth century, during the Ottoman period, significant innovations were introduced into Coptic art, which has led some scholars to speak of the ‘Akhmimic style.’ In order to study this style we need first to […]

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