Missionary

ACCEPTANCE

ACCEPTANCE The noun itself is not found in the AV of the NT, though we come very near it in ‘acceptation’ (ἀποδοχή), 1 Ti 1:15; 4:9. Instances of the verb and adjective are frequent, and are mostly equivalents of δέχομαι and its derivatives, as the following list shows: δέχομαι, 2 Co 6:1; 8:17; 11:4; δεκτός, …

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Manichaeism and Gnosticism in the Panopolitan Region between Lykopolis and Nag Hammadi

Manichaeism and Gnosticism in the Panopolitan Region between Lykopolis and Nag Hammadi TO DEAL WITH the religious movements of Manichaeism and Gnosticism in the area of Sohag presents a good many problems and raises several ques­tions that will perhaps never be answered. This fact depends on our lack of evidence concerning these two strong ‘enemies’ …

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Anba Isaac, Bishop of the Fayoum, al-Bahnasa, and Giza, 1834-81

Anba Isaac, Bishop of the Fayoum, al-Bahnasa, and Giza, 1834-81 Anba Isaac, the bishop of the Fayoum, holds a unique place in the history of the Coptic Church during the mid-nineteenth century. This standing is due, in part, to his massive diocese, which included three Egyptian gover­norates: Giza, the Fayoum, and Beni Suef. It is …

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Christianity in Asyut in Modern History

Christianity in Asyut in Modern History A Historical Introduction By the second half of the eighteenth century, Asyut had taken Girga’s place as the capital of Upper Egypt. With Muhammad ‘Ali’s interest in admin­istratively organizing Egypt’s governorates, the construction of the gover­norate building in Asyut began in 1811. In 1822, Asyut’s population was around seventeen …

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St. Mary & The Church

ST. MARY & THE CHURCH The “Theotokia of Thursday” states: “She offered God the Creator, the Word of the Father, the paste of the human race. He was incarnated of her, without alteration. She brought Him forth as a Child, and He was called Emmanuel”. At the moment of the Annunciation St. Mary used her …

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Icon of the Virgin Mary and Child. Achmim area provenance. Photo­graph courtesy of Gawdat Gabra..

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their …

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