J. Leroy

Christian Subjects In Coptic Art

CHRISTIAN SUBJECTS IN COPTIC ART Whatever its materials and techniques—stone or wood relief sculpture, painted walls or manuscripts, textiles, metalwork, ceramics, or glass—Coptic Christian iconography retained a few rare elements of pharaonic origin and many Greco-Roman elements from Alexandrian tradition. From the fifth century on, these pagan subjects mingled with Christian motifs. The Christian subjects …

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Dayr Al-Fakhuri

DAYR AL-FAKHURI History The “Monastery of the Potter” (it is not known whence this appellation comes) is situated on the edge of the desert, about 6 miles (9 km) north of Isna, near the ancient Asphynis (present-day Asfun al-Mata‘nah). The monastery also bears the name of “Matthew the Poor.” This personage, whose Life survives (or …

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Coptic And Irish Art

COPTIC AND IRISH ART It has been asserted that Irish art is derived from Coptic art. The only precise affirmations that resurface most often concern illuminated books, suggesting a need for concentrated research on this subject. C. Nordenfalk (1977, p. 13) formulated a prudent opinion on the subject. Towards the middle of the seventh century, …

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Assumption

ASSUMPTION The taking up of Mary into heaven. The calendar of feasts of the Coptic Church celebrates the death of the Virgin Mother of God and the ascension of her soul into heaven on 21 Tubah. The metamorphosis or conveyance of her body into heaven is placed on 16 Misra. There is thus a 206-day …

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Dayr Anba Antuniyus

DAYR ANBA ANTUNIYUS دير أنبا أنطونيوس History The Monastery of Saint Antony is situated 30 miles (45 km) southwest of the Red Sea lighthouse of Ras Za’faranah (100 miles, or 290 km, from Cairo via Suez) at the foot of the south end of the Jalalah mountain range. After the death of Saint ANTONY, a …

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