Initial

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their …

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] Read More »