Essentially

Music

MUSIC The Coptic Church uses more than one tune. The yearly tune, is used for all days except some feasts, fasting, and other occasions. The tune of Joy (Faraihi) is used from the first day of Tut, the beginning of the year, until the feast of the Cross, then in the dominical feasts and in …

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Memphitic

MEMPHITIC What was formerly called the Memphitic dialect (an appellation now abandoned) was one that Egyptologists and Coptologists long sought to identify and get to know, thinking that it must have been one of the principal dialects of Coptic Egypt. It was in fact known that Memphis had been one of the two very great …

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Dictionaries

DICTIONARIES From the time when the Copts, like other nations or linguistic entities, felt the need to have at their disposal in writing the equivalents, exact or approximate, of the words of their language, attempts were made to compose modest lists of bilingual vocabulary; these may justly be considered the ancestors of modern Coptic dictionaries. …

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Coptic Music Transcriptions In Western Notation

Coptic Music Transcriptions in Western Notation Although there may be some pieces of evidence of a notation system using dots and a primitive ekphonetic notation for Coptic music, the Copts have preserved their music over the centuries essentially by means of an oral tradition (see Oral Tradition, above). Only in the nineteenth century did scholars …

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Coptic Musicologists

Coptic Musicologists Borsai, Ilona (1925-1982) After graduating from the University of Kolozsvar, in her native city of Cluj, Rumania, qualified to teach Greek and French languages, Ilona Borsai attended the Academy of Music in Budapest, Hungary, where she received the Diploma of Music Education. Completing further studies in the field of musicology under Bence Szalolcsi, …

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