Copts

Discerning the True Religion in Late Fourteenth-Century Egypt

Discerning the True Religion in Late Fourteenth-Century Egypt: Pages from the Dayr al-Muharraq Edition of al-Hawi by al-Makin Jirjis ibn al-‘Amid Introduction In recent years, Dayr al-Muharraq has shared some of its riches with the wider world through the publication of transcriptions of manuscripts from the monastery’s library. As examples, I can point to the …

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Egyptian Gnosticism from Its Cradle in the Alexandrian Quarters of the Second Century

Egyptian Gnosticism from Its Cradle in the Alexandrian Quarters of the Second Century to Its Jar Tomb in the Upper Egyptian Town of Nag’ Hammadi Introduction The aim of this study is to try to interpret the fate of Gnosticism in Egypt through a simple investigation of places where texts were found and the historical …

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Notes on the Arabic Life of Ibrahim al-Fani: A Coptic Saint of the Fourteenth Century

Notes on the Arabic Life of Ibrahim al-Fani: A Coptic Saint of the Fourteenth Century The Lives of Coptic saints in the later Islamic era fall into the category of sacred biographies that have not attracted much study until recently.[1] This observation does not imply that these Lives have little or no historical or lit­erary …

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Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1]

Toward an Understanding of the ‘Akhmim Style’ Icons and Ciboria: the Indigenous and the Foreign[1] THE LATE FOURTEENTH-century painting by Gherardo Starnina, La Tebaide in Galleria degli Uffizi in Florence, provides perhaps the last medieval visu­alized memory of the (ideal) Christian sacred landscape along the Nile in Upper Egypt, densely inhabited by hermits tending their …

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Coptic Art during the Ottoman Period: Documentation of the Akhmimic Style

Coptic Art during the Ottoman Period: Documentation of the Akhmimic Style History of the Akhmimic Style In the course of the seventeenth century, during the Ottoman period, significant innovations were introduced into Coptic art, which has led some scholars to speak of the ‘Akhmimic style.’ In order to study this style we need first to …

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