Contemporary Coptic

The Cathedral of St. Mark, southern side: stained glass windows decorated from left to right with the Flight into Egypt, St. Mark, St. Antony, and St. Athanasius.

Anba Ruways (ABBASIYA)

Anba Ruways (ABBASIYA) THE MOST IMPORTANT CONTEMPORARY COPTIC CENTER in Egypt, known as Anba Ruways, is located on Ramses street in Abbasiya. It is a compound of buildings with an enclosure wall comprising the Cathedral of St. Mark and his shrine, the Church of Anba Ruways, the Coptic papal residence, the Clerical College, the Higher …

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Coptic Art

COPTIC ART Coptic art is a distinctive art associated with Christianity in Egypt. It is the richest art of the Eastern Christian arts. It appeared in the third or fourth century and began to flourish in the fifth century. Coptic art can only be understood and appreciated in the light of Egypt’s economic and social …

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Contemporary Coptic Art

CONTEMPORARY COPTIC ART The school of contemporary Coptic art was established in Cairo by Isaac Fanous in the 1960s. It reflects the deep roots of ancient Egyptian and Coptic arts combined with the Coptic theology and culture. Icons represent its major production. Wall paintings, mosaics, and stained-glass windows decorate a considerable number of modern Coptic …

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Copts In The Diaspora

COPTS IN THE DIASPORA The largest communities of Coptic emigrants are in the United Stated, Canada, and Australia. Statistics concerning their population are unavailable. However, according to unofficial sources, they number between 400,000 and 1,000,000. A considerable number of the Copts left Egypt for the West because of discrimination; others left because of the nationalization …

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Coptic Media Online

COPTIC MEDIA ONLINE Introduction Copts have historically sustained a strong presence across all forms of media in Egypt. The Coptic Church and individual Coptic intellectuals were crucial actors in the development of the publishing industry in Egypt in the latter half of the nineteenth century and the first half of the twentieth century when the …

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