The Triconch Sanctuaries of Sohag

The Triconch Sanctuaries of Sohag “Le probleme de I’abside treflee, de son origine, de son developpement, I’histoire enfin de ce type de structure, a ete dans ces dernieres annees 1’argument de bien de travaux; mais, malgre cela, je crois que l’etude peut donner encore quelque resultat si on voudra profiter d’une documentation bien precise et […]

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The Art of Coptic Churches

The Art of Coptic Churches WE WENT TO THE CHURCH while the elders of the monastery went with us. There were pictures of monks on the wall of the place, representing our monastic fathers: Antony the Great and Apa Pachom and Apa Paule and Apa Makarios.21 These were on one side and the archbishops of […]

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Bawit in the Twenty-first Century: Bibliography 1997-2014

Bawit in the Twenty-first Century: Bibliography 1997-2014 Since the rediscovery of the Bawit monastery in 1900, numerous investigations have covered diverse fields of research. Marie-Helene Rutschowscaya established a bibliography of the main titles, following the chronological order of publication: Rutschowscaya, M.-H. 1995. “Le monastere de Baouit. Etat des publica­tions.” In C. Fluck, L. Langener, S. […]

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The History of Christianity in Egypt

The History of Christianity in Egypt THE TERM COPT COMES DIRECTLY FROM THE ARABIC QBT, which appears to derive from the Greek aigyptos (Egypt) / aigyptioi (Egyptians), a phonetic corruption of the ancient Egyptian word Hikaptah, one of the names of Memphis. Initially the word described a non-Arabic-speaking non-Muslim. By implication, a Copt was also […]

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Communicatio Idiomatum (Interchange Of Properties)

COMMUNICATIO IDIOMATUM (interchange of properties) A term applied to the person of Christ by those in the early church who believed that although the human and divine natures remained separate, the attributes of the one could be applied to the other. Thus the divine Word could be described as dying on the cross and the […]

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Christian Subjects In Coptic Art

CHRISTIAN SUBJECTS IN COPTIC ART Whatever its materials and techniques—stone or wood relief sculpture, painted walls or manuscripts, textiles, metalwork, ceramics, or glass—Coptic Christian iconography retained a few rare elements of pharaonic origin and many Greco-Roman elements from Alexandrian tradition. From the fifth century on, these pagan subjects mingled with Christian motifs. The Christian subjects […]

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History Of The Coptic Music

History of the COPTIC MUSIC Possible Sources and Antecedents There are three primary traditions from which Coptic music very likely absorbed elements in varying proportions: the Jewish, the Greek, and the ancient Egyptian. Possible Jewish Influence. Many aspects of the Jewish services were adopted by the Christian church in Egypt. As elsewhere in the primitive […]

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The Oral Tradition Of The Coptic Music

The Oral Tradition of the COPTIC MUSIC All the manuscripts discovered and books compiled to date record only texts and rubrics. There is no known notation now in existence designed specifically for Coptic music, though manuscripts bearing ancient Greek notation have been found in Egypt (see History, below). From the beginnings of the church, the […]

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Christodoulus

CHRISTODOULUS The sixty-sixth patriarch of the See of Saint Mark (1047-1077). Christodoulus, whose original name as a monk of the ENATON, west of Alexandria, was Theodore, was a native of the village of Burah, but his date of birth is unknown. The first known event in his life concerns his castrating himself. This happened when […]

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Constantine I (288?-337)

CONSTANTINE I (288?-337) The Roman emperor who allowed freedom of worship in the empire, thus ending the persecution of Christians. Flavius Valerius Constantinus (Constantine) was born to Constantius Chlorus and Helena. When his father was appointed Caesar in 293, Constantine was sent to the court of DIOCLETIAN, the senior emperor, where he later distinguished himself […]

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