Armant

The Tunnel Entrance Door

Two Witnesses of Christian Life in the area of Balyana: The Church of the Virgin and the Monastery of Anba Moses

Two Witnesses of Christian Life in the area of Balyana: The Church of the Virgin and the Monastery of Anba Moses[1] The town of Balyana stands on the west bank of the Nile in the Sohag governorate. I have had many opportunities to be in touch with Christian life in this area of Upper Egypt …

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Stela

STELA An upright stone slab or pillar. Today some 1,100 ornamented Christian funerary stelae from Egypt (excluding Nubia) are known, most of them distributed over many museums. The most important collections are those of the Coptic Museum in Cairo, the Greco- Roman Museum in Alexandria, the British Museum in London, the Staatlichen Museen in Berlin, …

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State Museum Of Berlin

STATE MUSEUM OF BERLIN The Coptic collection of the Staatliche Museen in East Berlin is one of the most extensive and most important outside Egypt. It contains some 2,000 works of all kinds. Its origin is closely connected with the building up of a section for Early Christian and Byzantine works of art; from about …

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Coptic Toponymy

COPTIC TOPONYMY The study of ancient place-names is one of the most interesting domains of historical research, since the names of hamlets, villages, and towns of the past often give brief but valuable indications, usually absent from historical records, about the creation of those urban centers and the reasons for their founding, whether economic, political, …

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Church Architecture In Egypt

CHURCH ARCHITECTURE IN EGYPT Only church buildings can be considered as a confessional type of structure—like the cultic buildings of pagans, Jews, and Muslims. Churches are a specifically Christian type of architecture. All other kinds of building—including funerary structures—have no confessional ties and take the same form among Christians as among people of other faiths …

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Coptic Ceramics

COPTIC CERAMICS The pottery produced in Egypt from the late Roman to the early Islamic period. There must be no illusion about the term “Coptic ceramics.” The techniques of production were in the tradition of Hellenistic and Roman techniques. Similarly, there is no marked stylistic discontinuity between the products of the Roman period and those …

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